TODAY’S PLAYLIST

Baffo (Guiseppe) Banfi: Ma Dolce Vita

This 1979 release is the second of three solo albums from the former Un Biglietto per l’Inferno keyboardist. Strongly influenced by Berlin School electronic music.

https://www.youtube.com/watch?v=0op8c33QCoY

Camel: Moonmadness

The 1976 follow up to The Snow Goose was the last album recorded by the original quartet and is apparently the band’s most commercially successful record.

https://www.youtube.com/watch?v=DYIBtjTeIFM

Exmagma: 3

German trio who added “ex” to their name when they discovered that little band from France. Somewhat experimental Krautrock, this is from 1975 (but not released until 2006).

https://www.progarchives.com/artist.asp?id=1802

Ian Boddy: Rare Elements (studio disc)

A progressive electronic album from 1997.

https://www.discogs.com/release/383203-Ian-Boddy-Rare-Elements

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MENUMENTS

A belly full of compromise leaves you queasy.

Turpitude fosters further shameful actions.

A glance forward, then two steps back.

Addicted to the agony of being your adversary.

As deadly as a rusty sabre.

Playing solitaire while watching a church service.

Turn left at Moravia.

Reasons remain when the ghettos burst.

Move on if you’re serious.

There is no future in getting everything done.

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Happiness

“Why are you unhappy? Because 99.9 percent of everything you think, and everything you do, is for yourself – and there isn’t one.”

Wei Wu Wei

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Pet Peeve 224


Seeing someone claim the unrequested opinion they just wrote as “IMHO” drives me crazy. Dude, when you’re spouting something no one asked your thoughts on, there is absolutely nothing humble about it. If you were truly humble you’d shut up until someone asked what you thought. There is nothing humble about an opinion that wasn’t requested. Oh, and this: humble people don’t go around claiming they are.

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SPEAKING FREELY

The actions the Trump regime has taken against people who express opinions differing from the official party line reminds me of these words from the Clash tune “Know Your Rights.”

You have the right to free speech

as long as you’re not

dumb enough to actually try it.

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NEW / RECENT RELEASES

THE VIOLET HOUR

A solo piece of processional psychedelia.

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TIAN KENG

A collaboration with Ed End that was actually released last year through Ed’s label Le Colibri Nécrophile. Now available on Bandcamp.

https://jeffsampson.bandcamp.com/album/tian-keng

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POINT

“The propagandist’s purpose is to make one set of people forget that certain other sets of people are human.”

Aldous Huxley (1935)

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Remembering Nicky Hopkins (Feb 24, 1944 – Sep 6, 1994)

The time of rock ‘n’ roll has seen a number of really good pianists, and some stellar organists, but very few have been exceptional at both. I’m not gonna get into naming or ranking them because, when it comes to exceptional rock ‘n’ roll pianists who were also stellar organists, Nicky Hopkins was without equal. To my ears, he still sits at the top of the mountain.

A prolific studio musician, he played on records by many well known artists – Harry Nilsson, the Steve Miller Band, solo albums from all four Beatles (as well as electric piano on “Revolution”), Donovan, Jefferson Airplane, Carly Simon, Rod Stewart, Peter Frampton, and Jerry Garcia. Between 1967 and 1981 he played on 11 Rolling Stones albums (his piano is what drives the rhythm in “Sympathy for the Devil”), four Kinks albums in the ’60s, and The Who’s Next and By the Numbers. A member of the original Jeff Beck Group, he appeared on Truth and Beck-Ola.

During 1969 and 1970 he was a full-time member of Quicksilver Messenger Service, and that’s where my very favorite Nicky Hopkins composition comes from. “Edward, the Mad Shirt Grinder” (from Shady Grove) is a piano tour-de-force, with a frosting of sweet organ, that leaves me breathless each time I hear it. If you don’t know the tune, you really ought to do yourself a huge favor and give it a listen.

Happy birthday, Tin Man.

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POLICY FAILURE

“Forty years of tax cuts for the super-rich have shown that a rising tide doesn’t lift all ships—just the superyachts.”

— Gabriela Bucher, executive director of Oxfam International.

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Dreamtime

Once upon a time, there was a thing called The American Dream. If you grew up in the United States you were told all you had to do was work hard and you’d attain a level of affluence, comfort and prestige unavailable anywhere else. If you emigrated to the United States, it was likely because the carrot of the American Dream was held in front of you. There are countless stories of people doing just that – putting on their “hard hat”, scraping a path through the workaday muck, fighting against difficult economic and social odds, and reaching a level of comfort that would have been otherwise unknown. For the most part, unknown anywhere else. Something we call “middle class” – the buffer between those who had “nothing” and those who had “a whole lot”.

The Dream still exists, but it’s merely word play these days. Now, hard work at multiple jobs may be all that keeps an individual, a family, or an ethnically tied group from sliding into abject poverty. It takes a long time for that to be understood by the world’s masses that emigrate in hopes of finding a better life. The lines seeking admittance into the United States are still very long, and growing numbers of those already here who are struggling for existence – who choose to forget that their families all began their history here as immigrants – don’t want any more following them. It is not a pretty situation.

The Dream still exists because politicians and would-be demigods (usually “working” in mass-media), and their controlling puppet masters proclaim that it does. Less than 1 percent of the citizenry in the United States controls the country’s wealth. The American Dream has become the American Nightmare – well on its way to the American Horror.

For tens of millions of people in this country, that Horror is already here.

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